Graphic designers everywhere have relied on the Photoshop series of programs for years. The innovation that Adobe show in their Photoshop program has inspired even the most amateur of artists to try their hand at layout and design. Professionals also use this program to assist them in high level projects, many using the Photoshop CS3 release.

Marketers would find their jobs very difficult in 2010 and beyond without the aid of design software. In the modern world, technology is the King. It’s easy to understand why graphic designers have run to the creative suite program Adobe offers. Years ago, artist would actually have to cut and paste their work onto a project board. Now days, cutting and pasting is still a part of their lives- but they do it with keyboard and mouse, instead of a glue stick and scissors.

Users can use Photoshop to create designs that were unthinkable just 20 years ago. The features in the program will make you feel like a digital Da Vinci. You can shade, bend, crop, spin, twist, and copy your way towards a design career, if you don’t already have one. Many people in the world have done just that. It can be argued that knowing how to hold your own in digital media is more important than knowing how to use a pencil or paint brush.

Once worldwide companies began to rely so heavily on marketing to support their journey of corporate dominance, they needed artists that could keep pace. As it turned out, would be designers stumbled upon a software tool they could depend on to help meet that demand.

CS3 (Creative Suite 3) has an array of high quality tools that make design execution a fluid and effective experience. With increased speeds, work-flow improvements, and a streamlined palette of options, your finished image can be ready ahead of schedule.

Certain projects require a higher level of performance, and come with a higher level of pressure. You have to be prepared to make deadlines, whether you are just a student of the industry or a long-standing professional. Your career, current or future, depends on it.

Without a design software program like this, you are almost sure to struggle in your attempts at landing the big project of your dreams. Since access to these software tools is easy today, you would be foolish not to take advantage of their benefits. The program is easy to buy, easy to learn (through a wide selection of Photoshop CS3 tutorials), and easy to use. With Photoshop, you can design your own success.

Using a Photoshop CS3 tutorial helps you to get the most benefit out of your powerful software tools. When you learn how to use Photoshop CS3 your results look classy and polished.

Here’s a great video video tutorial, which shows you how to fix underexposed photos – incredibly useful to know.

(Remember this is a lower quality “YouTube” version of one of the video tutorials taken from the full edityourdigitalphotos.com set, the full set are much higher quality of course.)

If you feel like it, you can leave your opinion on this video in the “comments” section bvelow, I’d love to hear from you.

Just click the play button to watch…

Here’s another video for you which shows you how to remove unwanted objects or people, (it’s another lower quality “YouTube” version of one of the video tutorials taken from the full edityourdigitalphotos.com set)

This is one of the most useful skills you can master, as an unwanted oject can often ruin a wonderful photo!

Just his the play button and it will start automatically (make sure you have your speakers on)…
…please leave your feedback below and let me know how you like it

I just posted this excellent sample video tutorial (it’s a lower quality version of one of the video tutorials taken from the full edityourdigitalphotos.com set) on YouTube so you can see the type of cool photo editing tricks possible with Photoshop…. enjoy, and please leave your comments below. Thanks.

Image editors are used to scale any image. Image scaling is used to maximize and minimize images sizing. In short image scaling refers to resizing of any digital image. Latest digital cameras produce images of very high resolution and larger images. The images thus produced can be minimized for internet publishing.

Image editors work on the principle of sampling. Sampling is the process in which the resultant pixel values of resized images is calculated. The resized images will have varying values than the original image as they are either minimized or maximized in size.

You’ve tried every possible photographic trick in the book to capture the perfect picture the light, the focus and even the time of the day. But somehow, with your final digital photograph right before your eyes, you aren’t completely satisfied with the final product.

Maybe it’s a picture of the ice-capped peaks, but it simply isn’t looking as cold as you want it to or perhaps your photograph is simply looking too cluttered for your liking Fortunately for you, there have been numerous digital photographers who’ve been down that road and have known just how you feel. And as a result, the art called digital photography editing was created.

Today, there is barely a digital photograph you will find around you which hasn’t been digitally retouched or even re-mastered. And here the best part, with a few quick steps, it is possible for you to adopt this process for yourself, to create immaculate pictures of your very own.

A double exposure image is created by overlaying two images on one another. Follow a stepwise procedure:

1 Select all or a part of the image using the selection tools at the top of the toolbar.
2 Now from the edit menu choose copy.
3 Now open a second image file.
4 From the window menu, you can select the show layer.
5 On the ‘show layer’ popup right click and choose new layer and press ok.
6 Now go to the edit menu and press paste.
7 From the layer’s palette, move the opacity slider to 50%.
8 Now drag the mouse from inside the selection to move it.
9 To scale the pasted selection, click on image menu and then select image size.

Adjust the size by adjusting the pixels and height from the pop-up window.

Removing the background of a photograph gives you great flexibility with your photograph. The nice thing about using your editing program is that while removing the background you can choose to do the entire background or merely parts of it to achieve your desired result.

While it is not strictly imperative that your choice of digital photo editing software be able to support all types of object-oriented graphics, the main advantage in using GIMP is that it allows for easy vector to raster conversion.

If you already use a program that supports raster graphics or use any another digital photo editor, it will also work just fine. Something to note is that you will probably see that your editors has a variety of “plug-ins which can be used to alter or remove the background in different ways.

Software plug-ins are computer programs with specific goals. You typically will find that sophisticated photo editing programs use special purpose plug-ins and have the ability to perform background editing and removal based on different criteria.

Once you have removed the background you will find that your objects without backgrounds can be used and manipulated in a variety of different ways. You can place them in a new backdrop and in different situational contexts.

For example, a flower in a garden could have the garden replaced with an vase. The object can be moved around any which way and its alignment with the new background can also be changed.

The great thing about an object without a background is that it maintains all its properties like shape and size, but becomes more flexible to individual usage.

A rough guess of what consists of a good print quality is based on the pixels density or in other words the number of pixels per inch on the printed photo. This is also known as PPI (pixels per inch) and it represents the number of pixels over an axis line.

The following qualities are generally associated with a specific PPI number:

PPI 100 – fair to bad
PPI 200 – good
PPI 300 and up – very good

The next reasonable step would be to determine how many mega pixels are needed for good quality printing on a specific paper size. Calculating this number is very easy. All you need to do is to simply multiply the page length by its width in inches, resulting in the number of square inches on the page. Now multiply this number by the square of the PPI number and the result is the number of pixels on the page which is the number of pixels we want our source photo to have. Here are the numbers calculated for some common sizes :

page 4X6 0.24MP 1MP 2MP
page 5X7 0.35MP 1.5MP 3MP
page 8X10 0.8MP 3MP 7MP
page 11X14 1.5MP 6MP 14MP
page 16X20 3MP 12MP 28MP
page 20X30 6MP 24MP 54MP

Try experimenting with different paper sizes, but be careful as this can get expensive. And remember that there are always exceptions to the rules. Sometimes what is considered poor quality pixelization can actually result in a nice artistic effect in your enlargement.

What it comes down to is that while the above calculation helps, common sense and experience are needed to match a particular digital photo to its best possible enlargement size.

Digital photos can be viewed in many different ways, but more than likely you will be viewing them on computer screens or on printed paper. Most prints will be on standard paper sizes such as 4X6 or 5X7.

But every now and again, you may have that special photo that you want to make an enlargement of. The quality of print enlargements depends on you digital camera mega pixels figure.

There is a certain resolution referred to as number of pixels in each digital photo that you take. Pixels can be represented by one number or sometimes as two numbers depicting the number of pixels over the X axis and the number of the Y axis (multiply these two numbers together to determine the total number of pixels in the digital photo).

You are printing these digital pixels onto paper each time you print a digital photo. If the paper size is big relative to the photo resolution, the quality of the print will be poor. Poor quality is often seen by pixelization or the ability to actually see the individual pixels on the print.

That leads us to the question of how do you determine the largest print possible from a particular digital photo? There really is no one exact answer. Not only do the number of pixels help determine photo quality, other factors such as how much detail is in the photo or what the lighting were also play a role.

Even the number of pixels can be argued as different people have different views on what is acceptable print quality.